Education:
2004 - 2006 MFA Fine Art with Distinction, The Slade School of Fine
Art, University College London, UK
1996 -1999 Bachelor of Fine Art, San Francisco Art Institute, San
Francisco, USA
Solo Exhibition
2022 It Is What It Is, Blind Space Bangkok, Thailand
2020 #LetBygonesBeBygones, Gallery Seescape, Chiang Mai, Thailand
2019 Don't Wait Until Tomorrow, Gallery VER, Bangkok, Thailand
How Much You Can Tolerate, Cartel Artspace, Bangkok, Thailand
The Uncertain, Nova Contemporary, Bangkok, Thailand
2017 Eclipse, H Gallery, Bangkok, Thailand
2016 Adjust, La Chambre Blanche, Quebec, Canada
2015 Traverse, WTF Gallery, Bangkok, Thailand
Clutch, Gallery Seescape, Chiang Mai, Thailand
2014 Swing, Tadu-Thaiyarnyon Contemporary Art, Bangkok, Thailand
Shatter, H Gallery Chiang Mai, Chiang Mai, Thailand
2013 Downfall, Bangkok University Gallery, Bangkok, Thailand
2012 Remove, Jamjuree Art Gallery, Bangkok, Thailand
How Much You Can Tolerate, Cartel Artspace, Bangkok, Thailand
The Uncertain, Nova Contemporary, Bangkok, Thailand
2017 Eclipse, H Gallery, Bangkok, Thailand
2016 Adjust, La Chambre Blanche, Quebec, Canada
2015 Traverse, WTF Gallery, Bangkok, Thailand
Clutch, Gallery Seescape, Chiang Mai, Thailand
2014 Swing, Tadu-Thaiyarnyon Contemporary Art, Bangkok, Thailand
Shatter, H Gallery Chiang Mai, Chiang Mai, Thailand
2013 Downfall, Bangkok University Gallery, Bangkok, Thailand
2012 Remove, Jamjuree Art Gallery, Bangkok, Thailand
2011 Twist, H Project Space, H Gallery, Bangkok, Thailand
2010 Look-Overlook, The Art Centre, Chulalongkorn University,
Bangkok, Thailand
2009 Stand and Fall, KunstDoc Project Space, KunstDoc Gallery,
Seoul, Korea
2007 Passage, Tadu Contemporary Art, Bangkok, Thailand
Off The Frame, Hof Art Gallery, Bangkok, Thailand
2006 Composition with Arch Windows, Alsop Architects, London, UK
2000 In The Absence Of, Gallery 253, Bangkok, Thailand
2010 Look-Overlook, The Art Centre, Chulalongkorn University,
Bangkok, Thailand
2009 Stand and Fall, KunstDoc Project Space, KunstDoc Gallery,
Seoul, Korea
2007 Passage, Tadu Contemporary Art, Bangkok, Thailand
Off The Frame, Hof Art Gallery, Bangkok, Thailand
2006 Composition with Arch Windows, Alsop Architects, London, UK
2000 In The Absence Of, Gallery 253, Bangkok, Thailand
Duo Exhibition
2024 A House without A Roof, Nova Contemporary, Bangkok, Thailand
2014 Walking A Tightrope, Tang Contemporary Art, Bangkok, Thailand
Group Exhibition
Group Exhibition
2023 Silpa Bhirasri Creativity Grants 22, The Art Centre, Silpakorn University, Bangkok, Thailand
Terraformation, MAIIAM Contemporary Art Museum , Chiang Mai, Thailand
2022 IN LOW QUALITY FILE, The Bubble Arts Group Space, Chiang Mai, Thailand
2021 Urban in Progress: Paradise Lost, Bangkok Art and Cultural Centre, Bangkok, Thailand
/Pandamicship_on_AIR, Fish Art Center, Taipei, Taiwan
Pandamicship--A Social Guide to Post-Quarantine Era, Fotoaura Institute of Photography, Tainan, Taiwan
Art For Air : Because We Breathe In The Same Air, Nong Buak Haad Public Park, Wat Phrathat Doi Kham and Wat Umong (Suan Phutthatum), Chiang Mai
2019 Parallel : The Ramasun Station Art Trail, Ramasun Historical Museum, Udonthani, Thailand
2018 Plab Plab 10th Year Anniversary Gallery Seescape, Gallery Seescape, Chiang Mai, Thailand
Thailand Biennale, Krabi 2018 : Edge of The Wonderland, Krabi, Thailand
Painnale Art Festival 2018 : Lost Map , The Plaza, Chiang Mai, Thailand
Khonkaen Manifesto: Flashy Flashes #1 Community art, Participatory perspective, GF Building, Khon Kaen city, Thailand
Visual Field : Senses & Transfigurations, River City Bangkok, Bangkok, Thailand
Ties of History: Art in Southeast Asia, Metropolitan Museum of Manila, University of the Philippines Vargas Museum and Yuchengco Museum, Manila, The Philippines
In the Kingdom, 140th Anniversary of B.Grimm, Bangkok Art and Cultural Centre, Bangkok, Thailand
2017 Monologue Dialogue 4 : Mysticism and Insecurity, The Koppel Project Baker Street, London, UK
Twenty Foot Equivalent Unit, Gasthof Worringer Platz, Dusseldorf, Germany
2016 Farewell: The Art Center's Acknowledgments 2016, The Art Center, Chulalongkorn University, Bangkok, Thailand
New Originals : Chiang Mai Design Week 2016, Wat Duang Dee Temple, Chiang Mai, Thailand
Continuum: Acculturating, The Art Center, Chulalongkorn University, Bangkok, Thailand
Micro City Lab, Indie Art Hall Gong and Arko Art Center, Seoul, South Korea
Pre-Micro City Lab: 2016 Nanji Art Show IV, SeMA NANJI Exhibition Hall 1, Seoul, South Korea
Incheon Art Platform Final Report Exhibition, Building B, Incheon Art Platform, Incheon, South Korea
Art Normal 2: Toyburi, Samrarn Kesa Barber, Muang District, Ratchaburi, Thailand
2015 Distance Between The Journeys, Muang Korn Contemporary Art Gallery,
Nakhon Si Thammarat, Thailand
Distance Between The Journeys II, Surface arts, Sluice 2015,
Bargehouse, Oxo Tower Wharf, South Bank, London, UK
Beyond Walled Enclosure: the 9th Taehwa River Eco Art Festival,
Taehwagang Grand Park, Ulsan, South Korea
Non Parallel Evolution of Two Beings Who Have Nothing
Whatsoever To Do With Each Other, Incheon Art Platform and
Tribowl(Songdo), Incheon, South Korea
Secret Archipelago, Palais de Tokyo, Paris, France
Distance Between The Journeys, Tadu-Thaiyarnyon Contemporary
Art, Bangkok, Thailand
Truth, Art Gallery, Faculty of Fine Arts, Chiang Mai
University, Chiang Mai, Thailand
Art Stage Singapore, Lyla Gallery, Southeast Asia Platform,
Marina Bay Sands Expo and Convention Centre, Singapore
2014 Growth: Behind The Scenes, Treasure Hill Artist Village,
Taipei, Taiwan
Monologue Dialogue 3 Fragility and Monumentality, Bangkok Art
and Cultural Centre, Bangkok, Thailand
Hotel Art Fair 2014, H Gallery, LUXX XL Hotel, Langsuan,
Bangkok, Thailand
Kala Samannayya Festival, Shilpgram Complex, Panjabari,
Guwahati, Assam, India
2013 Nave 13, Espacio de Creacion Contemporanea, Cadiz, Spain
12th Silpa Bhirasri Creativity Grants, Silpakorn University Art
Gallery, Wang Tha Phra, Bangkok, Thailand
Non-Being By Itself, The Art Centre, Chulalongkorn University,
Bangkok, Thailand
Riverscapes IN FLUX, Metropolitan Museum of Manila,Philippines
Riverscapes IN FLUX, Langgeng Art Foundation, Yogyakarta,
Indonesia
The Hua Krathi Project, School of Art Gallery,RMIT University
and pop-up gallery at Federation Square, Melbourne, Australia
So Many Minds II, Chiang Mai University Art Museum, Chiang Mai,
Thailand
2019 Parallel : The Ramasun Station Art Trail, Ramasun Historical Museum, Udonthani, Thailand
2018 Plab Plab 10th Year Anniversary Gallery Seescape, Gallery Seescape, Chiang Mai, Thailand
Thailand Biennale, Krabi 2018 : Edge of The Wonderland, Krabi, Thailand
Painnale Art Festival 2018 : Lost Map , The Plaza, Chiang Mai, Thailand
Khonkaen Manifesto: Flashy Flashes #1 Community art, Participatory perspective, GF Building, Khon Kaen city, Thailand
Visual Field : Senses & Transfigurations, River City Bangkok, Bangkok, Thailand
Ties of History: Art in Southeast Asia, Metropolitan Museum of Manila, University of the Philippines Vargas Museum and Yuchengco Museum, Manila, The Philippines
In the Kingdom, 140th Anniversary of B.Grimm, Bangkok Art and Cultural Centre, Bangkok, Thailand
2017 Monologue Dialogue 4 : Mysticism and Insecurity, The Koppel Project Baker Street, London, UK
Twenty Foot Equivalent Unit, Gasthof Worringer Platz, Dusseldorf, Germany
2016 Farewell: The Art Center's Acknowledgments 2016, The Art Center, Chulalongkorn University, Bangkok, Thailand
New Originals : Chiang Mai Design Week 2016, Wat Duang Dee Temple, Chiang Mai, Thailand
Continuum: Acculturating, The Art Center, Chulalongkorn University, Bangkok, Thailand
Micro City Lab, Indie Art Hall Gong and Arko Art Center, Seoul, South Korea
Pre-Micro City Lab: 2016 Nanji Art Show IV, SeMA NANJI Exhibition Hall 1, Seoul, South Korea
Incheon Art Platform Final Report Exhibition, Building B, Incheon Art Platform, Incheon, South Korea
Art Normal 2: Toyburi, Samrarn Kesa Barber, Muang District, Ratchaburi, Thailand
2015 Distance Between The Journeys, Muang Korn Contemporary Art Gallery,
Nakhon Si Thammarat, Thailand
Distance Between The Journeys II, Surface arts, Sluice 2015,
Bargehouse, Oxo Tower Wharf, South Bank, London, UK
Beyond Walled Enclosure: the 9th Taehwa River Eco Art Festival,
Taehwagang Grand Park, Ulsan, South Korea
Non Parallel Evolution of Two Beings Who Have Nothing
Whatsoever To Do With Each Other, Incheon Art Platform and
Tribowl(Songdo), Incheon, South Korea
Secret Archipelago, Palais de Tokyo, Paris, France
Distance Between The Journeys, Tadu-Thaiyarnyon Contemporary
Art, Bangkok, Thailand
Truth, Art Gallery, Faculty of Fine Arts, Chiang Mai
University, Chiang Mai, Thailand
Art Stage Singapore, Lyla Gallery, Southeast Asia Platform,
Marina Bay Sands Expo and Convention Centre, Singapore
2014 Growth: Behind The Scenes, Treasure Hill Artist Village,
Taipei, Taiwan
Monologue Dialogue 3 Fragility and Monumentality, Bangkok Art
and Cultural Centre, Bangkok, Thailand
Hotel Art Fair 2014, H Gallery, LUXX XL Hotel, Langsuan,
Bangkok, Thailand
Kala Samannayya Festival, Shilpgram Complex, Panjabari,
Guwahati, Assam, India
2013 Nave 13, Espacio de Creacion Contemporanea, Cadiz, Spain
12th Silpa Bhirasri Creativity Grants, Silpakorn University Art
Gallery, Wang Tha Phra, Bangkok, Thailand
Non-Being By Itself, The Art Centre, Chulalongkorn University,
Bangkok, Thailand
Riverscapes IN FLUX, Metropolitan Museum of Manila,Philippines
Riverscapes IN FLUX, Langgeng Art Foundation, Yogyakarta,
Indonesia
The Hua Krathi Project, School of Art Gallery,RMIT University
and pop-up gallery at Federation Square, Melbourne, Australia
So Many Minds II, Chiang Mai University Art Museum, Chiang Mai,
Thailand
2012 Mobility and Identity: RE-culture 1/Art In Progress, Argyri
Market, Patras, Greece
Riverscapes IN FLUX, Fine Arts Museum, Hanoi, Vietnam
Riverscapes IN FLUX, Cactus Contemporary Art, Ho Chi Minh City,
Vietnam
Riverscape IN FLUX, g23 Gallery, Bangkok, Thailand
Market, Patras, Greece
Riverscapes IN FLUX, Fine Arts Museum, Hanoi, Vietnam
Riverscapes IN FLUX, Cactus Contemporary Art, Ho Chi Minh City,
Vietnam
Riverscape IN FLUX, g23 Gallery, Bangkok, Thailand
On Paper, Sanamchandra Art Gallery, Silpakorn University,
Nakhorn Pathom, Thailand
Nakhorn Pathom, Thailand
2011 Sounds of Dust, 943 Studio, Loft 1919, Kunming, Yunnan, China
Chuxiong Yi Ancient Town Installation Festival, Chuxiong,
Yunnan, China
2010 Utopia Project 2006-2010, Institute of Contemporary Greek Art,
Athens, Greece
Exterritory Project, Mediterranean ex-territorial waters,
Cyprus and Israel
Mediterranean University, International Youth Festival,
Antalya,Turkey
Salon für Kunstbuch. An Artwork as Enterprise, Museum of
Contemporary Art Leipzig, Germany
2009 Emerging Talents, Bashimi Art House, Salzburg Gallery,
Salzburg, Austria
Beyond Taboo, Dukwon Gallery, Seoul, Korea
2008 Krungthep 226: The Art from Early days to the Imagined Future -
Bangkok Art and Cultural Centre, Bangkok, Thailand
Wanderlust, Srinakharinwirot University Art Gallery, Bangkok,
Thailand
2007 Art for Life, Event Hall, Zen Department Store, Bangkok,
Thailand
Abstract Art, Chiang Mai University Art Museum, Chiang Mai,
Thailand
2006 Good to Declare, MFA International, Ben Gurion Airport Terminal
1, Tel-Aviv, Israel
Utopia, Athens School of Fine Art, Rethymno, Greece
Light & Colour, Woburn Research Centre, London, UK
2005 The Slade, The School of Architecture and the Built Environment
University of Westminster, London, UK
2004 Ejection Group 4, Chiang Mai Arts and Culture Centre (Three
Kings Monument), Chiang Mai, Thailand
2002 Life is Equal, Kad Saun Kaew Gallery ,Chiang Mai, Thailand
2001 Seeing Southeast Asia, Hitachi America Corporate Headquarter,
Brisbane, California, USA
Seeing Southeast Asia, Diego Rivera Gallery, San Francisco, USA
1999 Zyzzyva, Diego Rivera Gallery, San Francisco, USA
Altered: The Animal in Contemporary Art, The Museum of Art and
History, Santa Cruz, USA
1998 Eleven, Alternative Television Access, San Francisco, USA
Projects
2014 RMIT-3ACP: RMIT Austral-Asian Archive of Contemporary Practice,
RMIT University School of Art Galleries Project, Melbourne,
Australia http://schoolofartgalleries.dsc.rmit.edu.au/Projects/2014/tangtrakulwong.html
Cadiz: Linea De Costa 1st Anniversary, Espacio de Creacion
Contemporanea, Cadiz, Spain http://vimeo.com/85914111
Non-Being By Itself: Kamin Lertchaiprasert with Cultural
Activist and Young Artists, Southeast Asia Platform, Art Stage
Singapore, Singapore
2012 Being selected by Brian Curtin in the 100 Curators 100 Days
project, Saatchi Online UK
http://www.saatchiart.com/art-collection/Painting-Assemblage-Collage-Installation/100-Curators-Collection/348884/22372/view
2010 artschool/uk and its Observer - Whitechapel Gallery, London,UK
artschool uk Phrase I - Cell Project Space, London, UK
Workshops
2023 Living Together and Feel Like Home: workshop with students from
Chuxiong Yi Ancient Town Installation Festival, Chuxiong,
Yunnan, China
2010 Utopia Project 2006-2010, Institute of Contemporary Greek Art,
Athens, Greece
Exterritory Project, Mediterranean ex-territorial waters,
Cyprus and Israel
Mediterranean University, International Youth Festival,
Antalya,Turkey
Salon für Kunstbuch. An Artwork as Enterprise, Museum of
Contemporary Art Leipzig, Germany
2009 Emerging Talents, Bashimi Art House, Salzburg Gallery,
Salzburg, Austria
Beyond Taboo, Dukwon Gallery, Seoul, Korea
2008 Krungthep 226: The Art from Early days to the Imagined Future -
Bangkok Art and Cultural Centre, Bangkok, Thailand
Wanderlust, Srinakharinwirot University Art Gallery, Bangkok,
Thailand
2007 Art for Life, Event Hall, Zen Department Store, Bangkok,
Thailand
Abstract Art, Chiang Mai University Art Museum, Chiang Mai,
Thailand
2006 Good to Declare, MFA International, Ben Gurion Airport Terminal
1, Tel-Aviv, Israel
Utopia, Athens School of Fine Art, Rethymno, Greece
Light & Colour, Woburn Research Centre, London, UK
2005 The Slade, The School of Architecture and the Built Environment
University of Westminster, London, UK
2004 Ejection Group 4, Chiang Mai Arts and Culture Centre (Three
Kings Monument), Chiang Mai, Thailand
2002 Life is Equal, Kad Saun Kaew Gallery ,Chiang Mai, Thailand
2001 Seeing Southeast Asia, Hitachi America Corporate Headquarter,
Brisbane, California, USA
Seeing Southeast Asia, Diego Rivera Gallery, San Francisco, USA
1999 Zyzzyva, Diego Rivera Gallery, San Francisco, USA
Altered: The Animal in Contemporary Art, The Museum of Art and
History, Santa Cruz, USA
1998 Eleven, Alternative Television Access, San Francisco, USA
Projects
2014 RMIT-3ACP: RMIT Austral-Asian Archive of Contemporary Practice,
RMIT University School of Art Galleries Project, Melbourne,
Australia http://schoolofartgalleries.dsc.rmit.edu.au/Projects/2014/tangtrakulwong.html
Cadiz: Linea De Costa 1st Anniversary, Espacio de Creacion
Contemporanea, Cadiz, Spain http://vimeo.com/85914111
Non-Being By Itself: Kamin Lertchaiprasert with Cultural
Activist and Young Artists, Southeast Asia Platform, Art Stage
Singapore, Singapore
2012 Being selected by Brian Curtin in the 100 Curators 100 Days
project, Saatchi Online UK
http://www.saatchiart.com/art-collection/Painting-Assemblage-Collage-Installation/100-Curators-Collection/348884/22372/view
2010 artschool/uk and its Observer - Whitechapel Gallery, London,UK
artschool uk Phrase I - Cell Project Space, London, UK
Workshops
2023 Living Together and Feel Like Home: workshop with students from
National Institute of Fine Art, Panhug Farm, Sangthong, STELLA,
Vientiane, Laos, organised by Elevation Laos and STELLA.
2022 Walking and Stalking: workshop with former and final year students
from National Institute of Fine Art, Chiang Mai Art Conversation,
Chiang Mai, Thailand, organized by Elevation Laos and STELLA.
2019 Borderline, ASEAN Research Workshop 5: Crossroad, Center for
ASEAN Studies, Chiang Mai University, Mae Sot district, Tak,
Thailand
2015 Encoding and Decoding: Site Specific Installation Art,
workshop for Korean High School Students, Incheon Art
Platform, Incheon, South Korea
2014 5 Shelves: Site Specific Installation Art, MD3 Exhibition
workshop for children, Bangkok Art and Cultural Centre,
Bangkok, Thailand
I Like Traffic Jam: CommDe Open Studio, Communication Design
Program, the department of Industrial Design, Faculty of
Architecture, Chulalongkorn University, Bangkok, Thailand
Drawing: Workshop for children, Kala Samannayya Art Camp and
Festival, Shilpgram Complex, Panjabari, Guwahati, Assam, India
2013 Making a Nest: Workshop for children, Linea De Costa, Cadiz,
Spain
BUG Plants in a Community Garden: Downfall Workshop for
University and High School Students, Bangkok University
Gallery, Bangkok, Thailand
2009 Project Standing by 000: A Month-long Workshop for Korean
University and High School Students, Dukwon Gallery,
Alternative Space Loop and MIZY Center, Seoul, Korea
Grants/ Awards
2022 22th Silpa Bhirasri Creativity Grants, The Art Centre,
Silpakorn University, Bangkok, ThailandASEAN Studies, Chiang Mai University, Mae Sot district, Tak,
Thailand
2015 Encoding and Decoding: Site Specific Installation Art,
workshop for Korean High School Students, Incheon Art
Platform, Incheon, South Korea
2014 5 Shelves: Site Specific Installation Art, MD3 Exhibition
workshop for children, Bangkok Art and Cultural Centre,
Bangkok, Thailand
I Like Traffic Jam: CommDe Open Studio, Communication Design
Program, the department of Industrial Design, Faculty of
Architecture, Chulalongkorn University, Bangkok, Thailand
Drawing: Workshop for children, Kala Samannayya Art Camp and
Festival, Shilpgram Complex, Panjabari, Guwahati, Assam, India
2013 Making a Nest: Workshop for children, Linea De Costa, Cadiz,
Spain
BUG Plants in a Community Garden: Downfall Workshop for
University and High School Students, Bangkok University
Gallery, Bangkok, Thailand
2009 Project Standing by 000: A Month-long Workshop for Korean
University and High School Students, Dukwon Gallery,
Alternative Space Loop and MIZY Center, Seoul, Korea
Grants/ Awards
2022 22th Silpa Bhirasri Creativity Grants, The Art Centre,
2012 12th
Silpa Bhirasri Creativity Grants, The Art Centre,
Silpakorn University, Bangkok, Thailand
2009 Asia Pacific Artist Fellowship Program, National Art Studio
Goyang, National Museum of Contemporary Art, Korea
Commissions/Sponsor
Silpakorn University, Bangkok, Thailand
2009 Asia Pacific Artist Fellowship Program, National Art Studio
Goyang, National Museum of Contemporary Art, Korea
Commissions/Sponsor
2021 Only The Stump Is Left, Diffuse and It Takes Two To Tango commissioned by the Breath Council, Chiang Mai, Thailand
2018 Twilight commissioned by Office of Contemporary Art and Culture, Ministry of Culture, Thailand
Disguise commissioned by B.Grimm Company, Thailand
2017 Spellbound supported by UCL Global Engagement Grant, UK
2016 Pour commissioned by Thailand Creative & Design Center (TCDC), Chiang Mai, Thailand
(Dis)appear supported by Art Council Korea, South Korea
Adjust supported by Bangkok Art and Cultural Center, LA CHAMBRE BLANCHE, Canada Council for the Arts and the Entente MCC/Ville de Quebec, Canada
Heads commissioned by Art Normal 2: Toyburi, Ratchaburi, Thailand
2015 Traverse supported by WTF Gallery, Bangkok, Thailand
Waterfall commissioned by the 9th Taehwa River Eco Art Festival, Ulsan, South Korea
Swing commissioned by National Heritage Board, Singapore
2014 Hill supported by the British Council and UCL Development and Alumni Relations
Office, UK
2013 Downfall supported by Bangkok University Gallery, Bangkok, Thailand
2012 Chi River commissioned by Goethe-Institute, Bangkok,Thailand
2011 Edges commissioned by Chuxiong Yi Ancient Town Tourism Business Trade & Conference Exhibition Co., Ltd, Chuxiong, Yunnan, China
2008 Gradual commissioned by Bangkok Art and Cultural Centre, Bangkok, Thailand
2007 Fence commissioned by Bangkok Zen Department Store, Bangkok, Thailand
Collections
MAIIAM Contemporary Art Museum, Chiang Mai, Thailand
Silpakorn University Art Gallery, ฺBangkok, Thailand
Wat Duang Dee Temple, Chiang Mai, Thailand
943 Studio, Kunming, China
Chuxiong Yi Ancient Town Tourism Business Trade& Conference Exhibition Co., Ltd, China
Chiang Mai University Art Museum, Chiang Mai, Thailand
Hof Art Gallery, Bangkok
Athens School of Fine Art , Rethymno ,
Greece
Private collection
Reviews
2018 Twilight commissioned by Office of Contemporary Art and Culture, Ministry of Culture, Thailand
Disguise commissioned by B.Grimm Company, Thailand
2017 Spellbound supported by UCL Global Engagement Grant, UK
2016 Pour commissioned by Thailand Creative & Design Center (TCDC), Chiang Mai, Thailand
(Dis)appear supported by Art Council Korea, South Korea
Adjust supported by Bangkok Art and Cultural Center, LA CHAMBRE BLANCHE, Canada Council for the Arts and the Entente MCC/Ville de Quebec, Canada
Heads commissioned by Art Normal 2: Toyburi, Ratchaburi, Thailand
2015 Traverse supported by WTF Gallery, Bangkok, Thailand
Waterfall commissioned by the 9th Taehwa River Eco Art Festival, Ulsan, South Korea
Swing commissioned by National Heritage Board, Singapore
2014 Hill supported by the British Council and UCL Development and Alumni Relations
Office, UK
2013 Downfall supported by Bangkok University Gallery, Bangkok, Thailand
2012 Chi River commissioned by Goethe-Institute, Bangkok,Thailand
2011 Edges commissioned by Chuxiong Yi Ancient Town Tourism Business Trade & Conference Exhibition Co., Ltd, Chuxiong, Yunnan, China
2008 Gradual commissioned by Bangkok Art and Cultural Centre, Bangkok, Thailand
2007 Fence commissioned by Bangkok Zen Department Store, Bangkok, Thailand
Collections
MAIIAM Contemporary Art Museum, Chiang Mai, Thailand
Silpakorn University Art Gallery, ฺBangkok, Thailand
Wat Duang Dee Temple, Chiang Mai, Thailand
943 Studio, Kunming, China
Chuxiong Yi Ancient Town Tourism Business Trade& Conference Exhibition Co., Ltd, China
Chiang Mai University Art Museum, Chiang Mai, Thailand
Hof Art Gallery, Bangkok
Private collection
Reviews
• “Pazzini-Paracciani, Loredana. Art and Ecology: Taking Collective Action, S.E.A. Focus/ An STPI Project, Singapore, January 2021
• “Akratanakul, Pojai. Countries: Thailand", Art Asia Pacific Magazine, Volume XV, Almanac 2020
• “Jitthos, Panupong. Don't Wait Until Tomorrow", Fine Art Magazine, Vol. 16, No.135, October - December 2019
• “Boonpipattanapong, Panu. Don't Wait Until Tomorrow : the exhibition exploring the value of time", Matichon Weekly, Vol.39, No.2041, September 27 - October 3, 2019
• “Naraballobh, Nithikarn. Exhibition Reviews: The Uncertain at Nova Contemporary", Fine Art Magazine, Vol.16, No.133, April-June 2019
• “Boonpipattanapong, Panu. Art and Politics: How Much You Can Tolerate : the exhibition representing the nature of patience of people in(some country)", The Momentum Online News, Thailand, June 14, 2019
• “Durand, Guy Sioui. Bangkok/Quebec Exchange", La Chambre Blanche Publishing Bulletin no.38 - 2016 http://bulletin.chambreblanche.qc.ca/en/bulletin/?no=38
• “Loos, Ted. Arts : Southeast Asian Galleries Set Their Sights on Art Basel Hong Kong", The New York Times Newspaper, March 27, 2019
• “Vickers, Rebecca. Khonkaen Manifesto 2018", art4d magazine, No.265, December 2018 - January 2019
• “V.Roque, Josephine. Metro Manila: Ties of History", Art Asia Pacific Issue 111, November/December 2018
• “Boonpipattanapong, Panu. Art is Art, Art is Not Art: Khonkaen Manifesto, Matichon Weekly, Vol.38, No.1993, October 26 - November 1, 2018
• “Anne P.Soliman, Michelle. Arts & Leisure, Editors' Picks : ASEAN artists come together in a 3-part show", BusinessWorld Newspaper, Manila, August 15, 2018
• “Kupferman-Sutthavong, Ariane. Life Style: Out of the darkness", Bangkok Post Newspaper, January 5, 2018
• “Samngamjam, Pawarin. Design : New Originals", Wallpaper Magazine, Thai Edition, No.138, February 2017
• “Torsutkanok, Nichapak. Design/Global Style Report : New Originals", Elle Decoration Thailand Magazine, No.216, February 2017
• “Akratanakul, Pojai. Countries: Thailand", Art Asia Pacific Magazine, Volume XII, Almanac 2017
• “MNSD. Chiang Mai Design Week", Room Magazine Thailand, No.167, January 2017
• “Suthiapa, Wuthikorn. Spotlight: Ratchaburi, Tomorrow and Remembrance", Baanlaesuan Magazine, Thailand, Vol.41, No.483, November 2016
• “Sim, Somi. Micro City Lab", Landscape Architecture Korea (laK) Magazine, No. 343, November 2016
• “Pongpipat, Kaona. Life Style: Examining Identity", Bangkok Post Newspaper, Bangkok, November 16, 2016
• “Kosolkarn, Kamolkarn. Intelligence: Community Bounded", Wallpaper Magazine, Thai edition, No.128, April 2016
• “Pongpipat, Kaona. Ratchaburi's roll of the dice", Bangkok Post Newspaper, Bangkok, March 4, 2016
• “Exhibition Review: Distance Between The Journeys", Fine Art Magazine, Vol.12, No.122, June-July 2015
• “Public Art: Spatiality and Temporality of Public Art", Public Art magazine, Volume 105, Korea, June 2015
• “Camdessus, Julie. Culture: Between The Walls", L'OFFICIEL Thailand magazine, Volume 4, Number 40, June 2015
• “Camdessus, Julie. Inside Art: Discussing A Dialogue", L'OFFICIEL Art Thailand magazine, No.003, Autumn/Winter 2014-2015
• "Pettifor, Steven. Exhibition Reviews: Monologue Dialogue 3 at the Bangkok Art & Culture Center", World Sculpture News magazine, Volume 20, Number 4, Autumn 2014
• “Saensaneh, Nuchanart. Highlight arts: Fun Comes In Three, Fresh Faces", Elle Thailand magazine. No.242, December 2014
• “Pettifor, Steven. Exhibition Reviews: Monologue Dialogue 3 at the Bangkok Art & Culture Center", Asian Art News magazine, Volume 24, Number 6, November/December 2014
• “Sangwachirapiban, Suebsang. Views: Monologue Dialogue III: Fragility and Monumentality”, art4d magazine, Vol.1, No.220, Bangkok, November 2014
• “Chong, Ning. Interview with Brian Curtin of H Gallery Bangkok”, The Artling, 7th, 3 Notes, November 2014 http://theartling.tumblr.com/post/101998317879/interview-with-brian-curtin-of-h-gallery-bangkok
• “Sangwachirapiban, Suebsang. Art Exhibition: E = MC2”, art4d magazine, Vol.1, No.219, Bangkok, October 2014
• “Exhibition Review: MD3 Fragility and Monumentality”, Fine Art magazine, Vol.11, No.116, Bangkok, August 2014
• “Sangwachirapiban, Suebsang. Lifestyle: Cause and effect”, Bangkok Post Newspaper, Bangkok, August 20, 2014
• “Exhibition Review: Hotel Art Fair 2014”,Fine Art magazine,Vol.11, No.215, Bangkok, July 2014
• “Pongpipat, Kaona. Art: Creative dialogue”, Bangkok Post Newspaper, Bangkok, July 16,2014
• "Vickers, Rebecca. Update 05: Hotel Art Fair 2014",art4d Magazine, Vol.1, Number 215, June 2014
• “Pathomvat, Narawan. Countries:Thailand", Art Asia Pacific Magazine, Volume IX, Almanac 2014
• “Sangwachirapiban, Suebsang. Lifestyle: Skull and cross-examinations”,Bangkok Post Newspaper, Bangkok, May 16, 2013 http://www.bangkokpost.com/lifestyle/family/350286/skull-and-cross-examinations
• “Crosbie-Jones, Max. The Best Bangkok Art Shows for Early April ”, Contemporary Arts-BLOUIN ARTINFO Southeast Asia, April 1, 2013 http://sea.blouinartinfo.com/news/story/885877/the-best-bangkok-art-shows-for-early-april
• “Galligan, Gregory. Art at Large", 2LIST - 2 Magazine, N0.72, February/March 2013
• “Exhibition Review: Remove”, Fine Art magazine, Vol.9, No.94, Bangkok, September 2012
• “Exhibition Review: Riverscapes In Flux”, Fine Art magazine, Vol.9, No.93, Bangkok, August 2012
• “Exhibition Hilight: Riverscapes In Flux”, Art Square magazine, Vol.2, No.7, Bangkok, June 2012
• “New Collections”, Visual ARTBEAT Magazine, Issue 9, Salzburg, May - August 2012.
• “Pathomvat, Narawan. Countries:Thailand", Art Asia Pacific Magazine, Volume XII, Almanac 2012
• “Culture: Playing with space”,Bangkok Post Newspaper, Bangkok, October 14, 2011
• “4d/society: Private eyes”, art4d magazine, Vol.1, No.171, Bangkok, June 2010
• “Contributors: Between Spaces and Look-Overlook”, Happening magazine, Vol.39, Bangkok, May 2010
• “Walking Meditation and Jigsaw Puzzles”, Visual ARTBEAT Magazine, Issue 4, Salzburg, March 2010
• “2009 Standing By 000. Project”, Misulsegye Magazine, Monthly Art Magazine, Vol.298, Korea, September 2009.
• “Exhibition Review: Krungthep 226: The Art from Early days to the Imagined Future”, Fine Art magazine, Vol.5, No.52, Bangkok, February 2009
• “Please Leave a Passage”, A Day magazine,Think Positive Section, Vol.8, No.90, Bangkok, February 2008
• “Review: A walk through abstract minimalism”, Bangkok Post Newspaper, Outlook Section, Bangkok, December 06, 2007
• “4dviews: Off the Frame”, Art4d magazine, No. 140, Bangkok, August 2007
• “Exhibition Review: Off the Frame exhibition”, Fine Art magazine, Vol.4, No.34, Bangkok, July 2007
• “Features: Framing Imaginary Space”, Thailand Art & Design Guide, Vol.1, No.2,Bangkok, July/August 2007
• “The Most Influential Artist in The UK: What the students say…;”, The Art Newspaper (International Edition), Vol.XV, No.170,London, June 2006
• “Homo sapien ”, Art4d magazine, Issue 71,Bangkok, May 2001
• “Travel “, Central Premiere magazine, Issue 65, Bangkok, July/August 2000
• “Free Will ”, Art4d magazine, Issue 61, Bangkok, June 2000
• “Portfolio”, Defy magazine, Number 3, Bangkok, June 2000
• “1-101”, Zyzzyva: the journal of West Coast writers and artists, Issue xv,1,California, (spring 1999)
• “Chiapella, Julia: Animal Instincts”, Santa Cruz Spotlight-Sentinel Newspaper, California, April 30, 1999 back
• “Akratanakul, Pojai. Countries: Thailand", Art Asia Pacific Magazine, Volume XV, Almanac 2020
• “Jitthos, Panupong. Don't Wait Until Tomorrow", Fine Art Magazine, Vol. 16, No.135, October - December 2019
• “Boonpipattanapong, Panu. Don't Wait Until Tomorrow : the exhibition exploring the value of time", Matichon Weekly, Vol.39, No.2041, September 27 - October 3, 2019
• “Naraballobh, Nithikarn. Exhibition Reviews: The Uncertain at Nova Contemporary", Fine Art Magazine, Vol.16, No.133, April-June 2019
• “Boonpipattanapong, Panu. Art and Politics: How Much You Can Tolerate : the exhibition representing the nature of patience of people in(some country)", The Momentum Online News, Thailand, June 14, 2019
• “Durand, Guy Sioui. Bangkok/Quebec Exchange", La Chambre Blanche Publishing Bulletin no.38 - 2016 http://bulletin.chambreblanche.qc.ca/en/bulletin/?no=38
• “Loos, Ted. Arts : Southeast Asian Galleries Set Their Sights on Art Basel Hong Kong", The New York Times Newspaper, March 27, 2019
• “Vickers, Rebecca. Khonkaen Manifesto 2018", art4d magazine, No.265, December 2018 - January 2019
• “V.Roque, Josephine. Metro Manila: Ties of History", Art Asia Pacific Issue 111, November/December 2018
• “Boonpipattanapong, Panu. Art is Art, Art is Not Art: Khonkaen Manifesto, Matichon Weekly, Vol.38, No.1993, October 26 - November 1, 2018
• “Anne P.Soliman, Michelle. Arts & Leisure, Editors' Picks : ASEAN artists come together in a 3-part show", BusinessWorld Newspaper, Manila, August 15, 2018
• “Kupferman-Sutthavong, Ariane. Life Style: Out of the darkness", Bangkok Post Newspaper, January 5, 2018
• “Samngamjam, Pawarin. Design : New Originals", Wallpaper Magazine, Thai Edition, No.138, February 2017
• “Torsutkanok, Nichapak. Design/Global Style Report : New Originals", Elle Decoration Thailand Magazine, No.216, February 2017
• “Akratanakul, Pojai. Countries: Thailand", Art Asia Pacific Magazine, Volume XII, Almanac 2017
• “MNSD. Chiang Mai Design Week", Room Magazine Thailand, No.167, January 2017
• “Suthiapa, Wuthikorn. Spotlight: Ratchaburi, Tomorrow and Remembrance", Baanlaesuan Magazine, Thailand, Vol.41, No.483, November 2016
• “Sim, Somi. Micro City Lab", Landscape Architecture Korea (laK) Magazine, No. 343, November 2016
• “Pongpipat, Kaona. Life Style: Examining Identity", Bangkok Post Newspaper, Bangkok, November 16, 2016
• “Kosolkarn, Kamolkarn. Intelligence: Community Bounded", Wallpaper Magazine, Thai edition, No.128, April 2016
• “Pongpipat, Kaona. Ratchaburi's roll of the dice", Bangkok Post Newspaper, Bangkok, March 4, 2016
• “Exhibition Review: Distance Between The Journeys", Fine Art Magazine, Vol.12, No.122, June-July 2015
• “Public Art: Spatiality and Temporality of Public Art", Public Art magazine, Volume 105, Korea, June 2015
• “Camdessus, Julie. Culture: Between The Walls", L'OFFICIEL Thailand magazine, Volume 4, Number 40, June 2015
• “Camdessus, Julie. Inside Art: Discussing A Dialogue", L'OFFICIEL Art Thailand magazine, No.003, Autumn/Winter 2014-2015
• "Pettifor, Steven. Exhibition Reviews: Monologue Dialogue 3 at the Bangkok Art & Culture Center", World Sculpture News magazine, Volume 20, Number 4, Autumn 2014
• “Saensaneh, Nuchanart. Highlight arts: Fun Comes In Three, Fresh Faces", Elle Thailand magazine. No.242, December 2014
• “Pettifor, Steven. Exhibition Reviews: Monologue Dialogue 3 at the Bangkok Art & Culture Center", Asian Art News magazine, Volume 24, Number 6, November/December 2014
• “Sangwachirapiban, Suebsang. Views: Monologue Dialogue III: Fragility and Monumentality”, art4d magazine, Vol.1, No.220, Bangkok, November 2014
• “Chong, Ning. Interview with Brian Curtin of H Gallery Bangkok”, The Artling, 7th, 3 Notes, November 2014 http://theartling.tumblr.com/post/101998317879/interview-with-brian-curtin-of-h-gallery-bangkok
• “Sangwachirapiban, Suebsang. Art Exhibition: E = MC2”, art4d magazine, Vol.1, No.219, Bangkok, October 2014
• “Exhibition Review: MD3 Fragility and Monumentality”, Fine Art magazine, Vol.11, No.116, Bangkok, August 2014
• “Sangwachirapiban, Suebsang. Lifestyle: Cause and effect”, Bangkok Post Newspaper, Bangkok, August 20, 2014
• “Exhibition Review: Hotel Art Fair 2014”,Fine Art magazine,Vol.11, No.215, Bangkok, July 2014
• “Pongpipat, Kaona. Art: Creative dialogue”, Bangkok Post Newspaper, Bangkok, July 16,2014
• "Vickers, Rebecca. Update 05: Hotel Art Fair 2014",art4d Magazine, Vol.1, Number 215, June 2014
• “Pathomvat, Narawan. Countries:Thailand", Art Asia Pacific Magazine, Volume IX, Almanac 2014
• “Sangwachirapiban, Suebsang. Lifestyle: Skull and cross-examinations”,Bangkok Post Newspaper, Bangkok, May 16, 2013 http://www.bangkokpost.com/lifestyle/family/350286/skull-and-cross-examinations
• “Crosbie-Jones, Max. The Best Bangkok Art Shows for Early April ”, Contemporary Arts-BLOUIN ARTINFO Southeast Asia, April 1, 2013 http://sea.blouinartinfo.com/news/story/885877/the-best-bangkok-art-shows-for-early-april
• “Galligan, Gregory. Art at Large", 2LIST - 2 Magazine, N0.72, February/March 2013
• “Exhibition Review: Remove”, Fine Art magazine, Vol.9, No.94, Bangkok, September 2012
• “Exhibition Review: Riverscapes In Flux”, Fine Art magazine, Vol.9, No.93, Bangkok, August 2012
• “Exhibition Hilight: Riverscapes In Flux”, Art Square magazine, Vol.2, No.7, Bangkok, June 2012
• “New Collections”, Visual ARTBEAT Magazine, Issue 9, Salzburg, May - August 2012.
• “Pathomvat, Narawan. Countries:Thailand", Art Asia Pacific Magazine, Volume XII, Almanac 2012
• “Culture: Playing with space”,Bangkok Post Newspaper, Bangkok, October 14, 2011
• “4d/society: Private eyes”, art4d magazine, Vol.1, No.171, Bangkok, June 2010
• “Contributors: Between Spaces and Look-Overlook”, Happening magazine, Vol.39, Bangkok, May 2010
• “Walking Meditation and Jigsaw Puzzles”, Visual ARTBEAT Magazine, Issue 4, Salzburg, March 2010
• “2009 Standing By 000. Project”, Misulsegye Magazine, Monthly Art Magazine, Vol.298, Korea, September 2009.
• “Exhibition Review: Krungthep 226: The Art from Early days to the Imagined Future”, Fine Art magazine, Vol.5, No.52, Bangkok, February 2009
• “Please Leave a Passage”, A Day magazine,Think Positive Section, Vol.8, No.90, Bangkok, February 2008
• “Review: A walk through abstract minimalism”, Bangkok Post Newspaper, Outlook Section, Bangkok, December 06, 2007
• “4dviews: Off the Frame”, Art4d magazine, No. 140, Bangkok, August 2007
• “Exhibition Review: Off the Frame exhibition”, Fine Art magazine, Vol.4, No.34, Bangkok, July 2007
• “Features: Framing Imaginary Space”, Thailand Art & Design Guide, Vol.1, No.2,Bangkok, July/August 2007
• “The Most Influential Artist in The UK: What the students say…;”, The Art Newspaper (International Edition), Vol.XV, No.170,London, June 2006
• “Homo sapien ”, Art4d magazine, Issue 71,Bangkok, May 2001
• “Travel “, Central Premiere magazine, Issue 65, Bangkok, July/August 2000
• “Free Will ”, Art4d magazine, Issue 61, Bangkok, June 2000
• “Portfolio”, Defy magazine, Number 3, Bangkok, June 2000
• “1-101”, Zyzzyva: the journal of West Coast writers and artists, Issue xv,1,California, (spring 1999)
• “Chiapella, Julia: Animal Instincts”, Santa Cruz Spotlight-Sentinel Newspaper, California, April 30, 1999 back